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Choosing FabricsThe fabric you choose will have a big impact on how good your costume looks and feels. You want the fabric to look like it's from the right time period and you want your costume to be comfortable to wear. The best question to ask when you're picking out your fabric is "Can I see the weave?" Remember that they didn't have automated looms back then, so visible uneven texture is good - the rougher the weave, the better. Woven patterns are good and tapestry type upholstry fabrics are really great. Stay away from knits and slick synthetic fabrics, they're icky. Multi-colored patterned fabrics (printed or woven) are bad. Never, ever use: suit lining, crepe backed satin, calico, rayon, acetate, acrylic, bridal netting or valour. Fabrics for specific garments:VeilsChiffon, organza, light cotton. Underdress/RobesLight to medium cottons, faux suede, medium weight woven poly/cotton, satin. Surcoat/DoubletsBrocade, velvet, velveteen, faux suede, corderoy, tapestry/upholstry, crushed velvet, garment leather. Linings for other garments100% cotton (!) broadcloth. ShirtsLight to medium 100% cotton. How Fancy?You'll also want to consider the "social class" of your costume. Are you dressing as a noble or a dirt digging peasant? Each would use very different fabrics. OstentatiousFor royalty, nobles, wizards, wealthy merchants or tradesmen: velvet, velveteen, satin brocade, raw silk, large patterned tapestry fabric. Metallic cord and embroidered ribbons for trim. Fancy brooches, pins, and pearl strands as accents. SubtleFor commoners in general, peasants, gypsies, knights, monks: linen, wool, heavy cotton sheeting, cotton brocade, small patterned tapestry fabric. Gosgrain ribbons for trim. Bells, flowers, and wooden beads for accents. |
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